Coleridge-Taylor, Novelletten for String Orchestra, Op.52 (Movements 3 and 4); Mozart, Violin Concerto No. 3; Haydn, Symphony No. 104 “London”
Single tickets for the 2023 Festival go on sale March 7
The Festival’s focus on today’s music continues as world-renowned conductor and Festival composer-in-residence/co-curator John Adams takes the podium to lead his off-beat and grooving Must the Devil Have All the Good Tunes? with the extraordinary Jeremy Denk at the piano — listen for a second “detuned honky-tonk piano” to add its voice. Music Director Peter Oundjian conducts the final symphony by Christopher Rouse, which The New York Times called Rouse’s Sixth “a haunting and profound farewell” true to the composer’s character: “all of Mr. Rouse — contemplative elegy, rowdy playfulness, eclectic homage — is in this score.” In her Tumblebird Contrails, composer Gabriella Smith calls to mind the Pacific Ocean and “keening gulls, pounding surf, rush of approaching waves, sizzle of sand, and sea foam in receding tide.”
“If you want to hear perfection, this is it,” says Music Director Peter Oundjian of Mozart’s final concerto, performed here by pianist Albert Cano Smit. Mozart is at his most majestic and most beautiful in his Symphony No. 39. Ryan Bancroft conducts this all-Mozart program, which begins with a dark and intense serenade for winds.
Principal Guest Conductor Jean-Marie Zeitouni conducts a special Midsummer Night’s Dream. This performance pairs Mendelssohn’s lush score, which includes the instantly recognizable “Wedding March,” with a dramatic reading by actor John de Lancie (American Shakespeare Festival, TV’s Star Trek The Next Generation) to summon Shakespeare’s fairies, royalty, and fools in love. Mendelssohn penned Midsummer’s overture at age 17; Bizet was the same age when he wrote his Symphony in C, a surprisingly mature work, effervescent and full of contrasts. The program opens with a brand new orchestral arrangement of Jessie Montgomery’s vivid Starburst, which is, in her words, “a play on imagery of rapidly changing musical colors.”
Meet the Festival Fellows: eight aspiring professional musicians who receive coaching and performance opportunities through the Festival and its guest artists.
This excellent community music school is also the educational arm of our organization.