“If you want to hear perfection, this is it,” says Music Director Peter Oundjian of Mozart’s final concerto, performed here by pianist Albert Cano Smit. Mozart is at his most majestic and most beautiful in his Symphony No. 39. Ryan Bancroft conducts this all-Mozart program, which begins with a dark and intense serenade for winds.

In our second program celebrating the music Rachmaninoff wrote while living in America, the Orchestra performs his final composition: Symphonic Dances, a three-movement suite featuring a frantic dance, a restless waltz, and a final flourish of triumph. Lauded Rachmaninoff interpreter Nicolai Lugansky joins the Orchestra for the composer’s capricious Fourth Piano Concerto, a work of daring imagination, as well as his romantic Rhapsody on a Theme of Paganini, which proved an instant success for the composer.

This concert was created with Mozart fans in mind! Guest conductor François López-Ferrer begins with the delightful overture to Mozart’s tongue-in-cheek opera Impresario, followed by his ornate and impressive Third Violin Concerto, performed here by the “fresh, different and exhilarating” (San Francisco Chronicle) violinist Grace Park. The orchestral arrangement of his solemn Adagio and Fugue follows intermission, and the concert culminates with Mozart’s inventive Symphony No. 36, the “Linz,” which he composed in only four days after a surprise request while visiting the Austrian town of the same name.

Internationally renowned guest conductor Hannu Lintu joins the Festival for a program beginning with the “concerto for birds and orchestra” Cantus Arcticus by Lintu’s countryman, Finland’s Einojuhani Rautavaara. One of Schumann’s most enduring works is his Piano Concerto, which creates a thrilling collaboration, rather than a tension, between the piano and orchestra. "After bringing a soft touch to opening statement, Yun displayed a robust, muscular sound in the cadenza that complemented the tug-of-war that occurs between soloist and orchestra in this work," says Bachtrack of guest pianist Tony Siqi Yun. Rounding out the program is Haydn’s Symphony No. 96, one of his famed London symphonies, which earned its nickname “Miracle” when a chandelier fell during its premiere and — by a miracle! — killed no one.