Meet the Festival Fellows: eight aspiring professional musicians who receive coaching and performance opportunities through the Festival and its guest artists.
Kevin Puts, Two Mountain Scenes (2007) Visitors to 2023 edition of the Colorado Music Festival may recall The Elements, a suite inspired by the natural world and featuring five leading American composers as contributors. Among them was Kevin Puts,...
Johann Strauss, Overture to Die Fledermaus Vienna was still reeling from the “Black Friday” stock market crash of 1873 when Johann Strauss II introduced what would become his most famous operetta, Die Fledermaus (The Bat) at the Theatre an der Wien on...
Mozart, Eine kleine Nachtmusik, K. 525 For all its popularity, there is no real origin story for Mozart’s Serenade No. 13 in G Major, better known as “A Little Night Music.” Why he wrote it remains a mystery, and a possible fifth movement — a minuet and trio —...
J.S. Bach, Keyboard Concerto in A major BWV 1055 As the municipal director of music in Leipzig, J.S. Bach had two chief responsibilities: overseeing music in the city’s churches and directing the Collegium Musicum, an ensemble of professional and university...
Haydn, String Quartet in C major Op. 20 No. 2 With his six Opus 20 Quartets of 1772, Haydn was determined to lift the burgeoning string quartet form to new heights of sophistication and ingenuity. He was employed by Prince Nikolaus Esterhazy, head of one of the...
The Robert Mann Chamber Music Series is delighted to welcome “one of the greatest quartets of the last 100 years” (BBC Music Magazine), the Dover Quartet, Ensemble-in-Residence at the Curtis Institute of Music. Dover’s program includes Janacek’s emotionally charged “Kreutzer Sonata,” Schumann’s vigorous A-Minor Quartet, and finally Tchaikovsky’s noble First String Quartet.
Possibly the single most treasured symphony ever written — especially its beloved “Ode to Joy” — Beethoven’s influential Ninth Symphony celebrates brotherhood, forgiveness, and the quest for peace. Music Director Peter Oundjian conducts this masterwork, which also welcomes to the Festival stage soprano Lauren Snouffer, mezzo-soprano Abigail Nims, tenor Issachah Savage, bass Benjamin Taylor, and St. Martin’s Chamber Choir. Composer Michael Abels’ Amplify, co-commissioned by the Festival, opens the program; on top of his Pulitzer Prize-winning compositions for opera, audiences may recognize Abels’ work from film scores such as Get Out, Us, Chevalier, and more.
Possibly the single most treasured symphony ever written — especially its beloved “Ode to Joy” — Beethoven’s influential Ninth Symphony celebrates brotherhood, forgiveness, and the quest for peace. Music Director Peter Oundjian conducts this masterwork, which also welcomes to the Festival stage soprano Lauren Snouffer, mezzo-soprano Abigail Nims, tenor Issachah Savage, bass Benjamin Taylor, and St. Martin’s Chamber Choir. Composer Michael Abels’ Amplify, co-commissioned by the Festival, opens the program; on top of his Pulitzer Prize-winning compositions for opera, audiences may recognize Abels’ work from film scores such as Get Out, Us, Chevalier, and more.
Music Director Peter Oundjian continues his tradition of closing the Festival season with a massive Mahler symphony. Composer Alban Berg once wrote of Mahler’s Ninth, “The first movement is the greatest Mahler ever composed. It is the expression of a tremendous love for this earth, the longing to live on it peacefully and to enjoy nature to its deepest depths – before death comes.” The myriad colors of life are present in the mighty Ninth, throughout which Mahler grieves, dances, basks in sunlight, and ultimately reflects on the enormity of it all.