The Robert Mann Chamber Music Series is delighted to welcome “one of the greatest quartets of the last 100 years” (BBC Music Magazine), the Dover Quartet, Ensemble-in-Residence at the Curtis Institute of Music. Dover’s program includes Janacek’s emotionally charged “Kreutzer Sonata,” Schumann’s vigorous A-Minor Quartet, and finally Tchaikovsky’s noble First String Quartet.
Possibly the single most treasured symphony ever written — especially its beloved “Ode to Joy” — Beethoven’s influential Ninth Symphony celebrates brotherhood, forgiveness, and the quest for peace. Music Director Peter Oundjian conducts this masterwork, which also welcomes to the Festival stage soprano Lauren Snouffer, mezzo-soprano Abigail Nims, tenor Issachah Savage, bass Benjamin Taylor, and St. Martin’s Chamber Choir. Composer Michael Abels’ Amplify, co-commissioned by the Festival, opens the program; on top of his Pulitzer Prize-winning compositions for opera, audiences may recognize Abels’ work from film scores such as Get Out, Us, Chevalier, and more.
Possibly the single most treasured symphony ever written — especially its beloved “Ode to Joy” — Beethoven’s influential Ninth Symphony celebrates brotherhood, forgiveness, and the quest for peace. Music Director Peter Oundjian conducts this masterwork, which also welcomes to the Festival stage soprano Lauren Snouffer, mezzo-soprano Abigail Nims, tenor Issachah Savage, bass Benjamin Taylor, and St. Martin’s Chamber Choir. Composer Michael Abels’ Amplify, co-commissioned by the Festival, opens the program; on top of his Pulitzer Prize-winning compositions for opera, audiences may recognize Abels’ work from film scores such as Get Out, Us, Chevalier, and more.
Music Director Peter Oundjian continues his tradition of closing the Festival season with a massive Mahler symphony. Composer Alban Berg once wrote of Mahler’s Ninth, “The first movement is the greatest Mahler ever composed. It is the expression of a tremendous love for this earth, the longing to live on it peacefully and to enjoy nature to its deepest depths – before death comes.” The myriad colors of life are present in the mighty Ninth, throughout which Mahler grieves, dances, basks in sunlight, and ultimately reflects on the enormity of it all.