Events

Former Colorado Symphony Music Director Jeffrey Kahane returns to the Festival stage to lead all six of Bach’s celebrated Brandenburg Concertos with the help of trumpeter Maximilian Morel. Possibly the most revered of all Baroque music, this complete set of Bach’s masterpieces should be on every music-lover’s bucket list.

Six-time Grammy-winning conductor and Music Director Laureate of the Detroit Symphony Orchestra Leonard Slatkin joins the Festival for a program celebrating the distinctive American sound. This spotlight on American composers begins with Aaron Copland’s Rodeo with its iconic “Hoedown,” followed by a chaconne from John Corigliano’s romantic score for the film The Red Violin. After the break: Ron Nelson’s paean to the South’s Savannah River, a haunting adagio by “unmistakably American-sounding” Cindy McTee (Washington Post), and finally George Gershwin’s jazzy symphonic poem An American in Paris.

Six-time Grammy-winning conductor and Music Director Laureate of the Detroit Symphony Orchestra Leonard Slatkin joins the Festival for a program celebrating the distinctive American sound. This spotlight on American composers begins with Aaron Copland’s Rodeo with its iconic “Hoedown,” followed by a chaconne from John Corigliano’s romantic score for the film The Red Violin. After the break: Ron Nelson’s paean to the South’s Savannah River, a haunting adagio by “unmistakably American-sounding” Cindy McTee (Washington Post), and finally George Gershwin’s jazzy symphonic poem An American in Paris.

Music Director Peter Oundjian begins this all-Mozart marvel with a mysterious serenade for winds, which broods before turning suddenly buoyant. At the keyboard for Mozart’s Piano Concerto No. 20 is Tony Siqi Yun, a nuanced performer who plays with “every note personalized” (Musical America). Closing this revel of Mozart’s genius is his Haffner Symphony, a staggering work of energy and invention.