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Danish String Quartet
Danish String Quartet
“Yes, playing string quartets is our job, and yes it is hard work, but we mostly do it for pleasure, like we always did,” says the Danish String Quartet, a highly sought-after ensemble of energetic musicians who met each other at music camp as teenagers. The Quartet returns to the Robert Mann Chamber Music Series with a varied program including work by Haydn, Stravinsky, and Mozart, as well as Shostakovich’s profound String Quartet No. 3 and three Irish folk melodies by Celtic harper and composer Turlough O’Carolan.
$18 – $70
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1 event,
Augustin Hadelich & Dvořák 7
Augustin Hadelich & Dvořák 7
Augustin Hadelich, one of the greatest violinists of all time, returns to perform Tchaikovsky’s unparalleled Violin Concerto. The deeply patriotic Dvořák wished to use his music to recognize the struggle and oppression of his fellow Czechs; he wrote of this urgent Seventh Symphony, “What is in my mind is Love, God, and my Fatherland." Kevin Puts’ Two Mountain Scenes, composed “with the impressive backdrop of the Rocky Mountains in mind” and beginning with “the sonic illusion of a single trumpet reverberating across the valley,” opens this wondrous program.
$18 – $85
1 event,
Augustin Hadelich & Dvořák 7
Augustin Hadelich & Dvořák 7
Augustin Hadelich, one of the greatest violinists of all time, returns to perform Tchaikovsky’s unparalleled Violin Concerto. The deeply patriotic Dvořák wished to use his music to recognize the struggle and oppression of his fellow Czechs; he wrote of this urgent Seventh Symphony, “What is in my mind is Love, God, and my Fatherland." Kevin Puts’ Two Mountain Scenes, composed “with the impressive backdrop of the Rocky Mountains in mind” and beginning with “the sonic illusion of a single trumpet reverberating across the valley,” opens this wondrous program.
$18 – $85
0 events,
1 event,
Mahler 4 & Ravel’s Shéhérazade
Mahler 4 & Ravel’s Shéhérazade
Music Director Peter Oundjian continues his tradition of ending the season with glorious music by Mahler. The composer built his Fourth Symphony around his own song “The Heavenly Life,” which borrows text from a Bavarian folk poem. “The angelic voices gladden our senses,” the poem proclaims, “so that everything awakens for joy.” Mahler’s sunniest symphony invokes bells, harp, and woodwinds; in keeping with the lightness of the work, Mahler insisted the soprano perform “with childlike, cheerful expression;” soprano Karina Gauvin joins the Festival in this role. This final concert of the season includes Ravel’s colorful twist on the Shéhérazade tales — again featuring Gauvin’s “glowing, flexible tone” (Opera News) — and the overture to Strauss’ most famous and farcical operetta, Die Fledermaus.
$18 – $80